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This article presents an edition and translation of an Irish didactic poem found in a large compilation of remedies, charms and prayers that was written in the early sixteenth century by the Roscommon medical scribe Conla Mac an Leagha. The contents of this poem, and of the treatise in which it occurs more generally, are of inherent interest for our understanding of the history of medical learning in medieval Ireland. However, the poem is also of particular significance due to the fact that its penultimate stanza, which invokes the authority of one ‘Colmán mac Oililla’, is attested in two much later sources that provide insight into the transmission and reception of medieval Irish medical texts in the early nineteenth century, as well as into the relationship between manuscript, print and material culture during that period. The two sources in question, one of which is a previously unprovenanced signboard now kept in the Wellcome Collection in London, can both be connected with the work of the Munster ‘herb doctor’ Michael Casey (1752?–1830/31), who in 1825 advertised the publication of a new herbal containing cures derived from much earlier Irish-language medical manuscripts.
This article offers a critical analysis of the representation of early modern popular violence provided by the 1641 depositions. Exploring the problems of how reported ‘speech’ was produced and recorded in the 1641 depositions, the article challenges the tendency within the depositions to represent violence as a spontaneous and immediate act, explicable by a racialised reading of Irish ‘barbarity’ and Catholic treachery. Exploiting a large cache of depositions and examinations in the relatively resource-rich urban context of Galway, it offers a micro-historical narrative of two brutal episodes of popular violence there in 1642 to reveal the complex histories and politics that might lie behind acts of violence in the Irish rising. Examining the local impact of the state's policies of anglicisation and Protestantisation, the paper recovers the prolonged, but ultimately unsuccessful, negotiations that preceded popular violence. Contextualizing the episodes, the article locates that violence in the more complex (and divided) politics of the city and in the radical challenges it brought to traditional structures of rule in Galway. Referencing the developing body of work on the politics of early modern crowd actions in Ireland, the article argues that the popular violence was political, both a consequence of and contributor to political change there.
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